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The Means And The Ends
Over the recent weekend, roon (@tszzl), a prominent voice among tech circles on Twitter and an employee at OpenAI, tweeted the following: Like many in the Silicon Valley cultural sphere, roon has openly embraced ‘vibe-coding’ – using LLMs for programming. As this tweet makes clear however, this is not simply because of the alleged productivity…
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A Correspondence Regarding Game Marketing
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Uncivil War
This post contains massive spoilers for the plot and ending of Civil War (2024), which you should watch! In the lead up to the release of Alex Garland’s Civil War, producer and distributor A24, as part of their marketing plan, released a map of the United States showcasing the political divisions within the film’s eponymous…
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The Invincible: Making First Person Boring
(Spoilers for the ending of The Invincible and a late-game scene from Cyberpunk 2077) As I played through The Invincible, I couldn’t help but feel that the developers were fixated on telling a particular story, but weren’t concerned with the medium by which to tell it, and only ended up making a videogame because that…
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Alan Wake 2’s Mind Place doesn’t work
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Alan Wake 2 is a tonal masterpiece
(Plot spoilers for Alan Wake 2, which if it isn’t obvious from the article title, you should go play) I don’t think there’s any other game I’ve played in recent memory that is as confident and bold in its presentation and conveying of tone and atmosphere than Alan Wake 2. It deftly blends and moves…
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Steelman (and I don’t mean Adam Smasher)
(Spoiler Alert for the ending/s of Cyberpunk 2077 and the expansion Phantom Liberty) The expansion to Cyberpunk 2077, Phantom Liberty, intrigued me even more than it already did when I learned that the expansion would introduce a new ending to the base game. Upon first starting the expansion, Songbird, a new character introduced in Phantom…
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Westworld, Architecture, and the Cityscape
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Empathy (and the lack thereof)
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AI Am Inevitable
In the previous blog post I discussed why dismissing AI Art completely (rather than critiquing the structural economics) is a misguided perspective. There is, however, a more fundamental reason why I believe this: I think this is a fight that artists will inevitably lose. (I know, finally, a REAL hot take.) Assume, as I think…